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This is not going to go away.Ī cool thing for me musically was that I moved here when I was eight years old. “That’s why I used to laugh and say, this is not an explosion. There’s something about that beat, there’s something about this song. What is that?” When I did the video, in my mind, I was thinking, “Let’s see what happens.” I love both versions, but that’s where I could tell, “This is a movement that goes beyond language. And when he heard that song, there was no English version yet, and he was like, “Oh shit. I could tell that was going on back in 2014 with “Bailando.” I put out two versions, in English and Spanish, and I remember being in the studio with a producer who did not speak a word of Spanish, and I played him the whole album. But now Spanish is more accepted - not that it wasn’t back then, but I think the mainstream audience is more open to it. At the time, there were massive artists crossing over to the English-speaking world, and you still see that today. Does that mean it’s going to go away?” But I knew it would never go away. Back in 1999, they called it the “Latin explosion.” I would always laugh, and I used to think, “Man, here in the U.S., they call it the Latin explosion. To be honest, I always felt that was going to happen. 2!Īs someone who’s made music in both English and Spanish throughout his career, what do you think about the way music in Spanish has been embraced in recent years? Hopefully I can put out more chapters later on - and I still have to finish Vol. But at the same time, you can also say a song can be part of that, too. I look at this like, an album’s a book and each song is a chapter. It doesn’t mean I’m going to stop writing songs, but maybe differently. I was touring a lot and I didn’t have time to go to the studio, And the last year, I’ve had a lot of time to go to the studio and just work there by myself and to work with Carlos a lot and just go back and forth and finish up what I’ve needed to finish up for the last three years. I wanted to release this album in 2017, and I just keep putting out singles. I’ve been asked bunch of times, “Are you sure this is the right decision?” But this is how I felt in 2017, this is how I feel now. How does it feel to be making your last album? Below, Iglesias reflects on the past and shares how he’s thinking about making music in the future. Still, it doesn’t mean an end to his music career. The Beatles in India: 16 Things You Didn't Know “It’s not a decision that I thought about a few weeks ago, a few months ago, or even a year ago. He’s working on the second part, but once it’s complete, he sees Final as his last full-length project. The first part came out last Friday and features 11 songs that Iglesias recorded over the last few years, including several chart-toppers from 2018, like “Move to Miami” with Pitbull and “El Baño,” featuring a then-rising Bad Bunny. He explains, however, that he’s splitting Final up into two volumes. “It is!” Iglesias says during a phone call while heading to a concert rehearsal in Miami. Immediately, people had one question: Would it actually be his last?
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However, he threw his fans for a loop when he announced that his new album - his first in seven years - would be called Final. It was named Winning Song at the 2012 BMI Latin Awards, hit the Top 10 on both sides of the Atlantic, and topped the stateside club charts.One of the things that sticks out most about Enrique Iglesias’ career is its longevity: The Spanish artist, who kicked off his career in the mid-Nineties, has been cranking out hits for more than 25 years, gliding through the decades and keeping pace in the industry through different sounds: the rock balladry of “Experiencia Religiosa,” the dance-pop fervor of “Bailamos,” the reggaeton smash “El Perdon” featuring Nicky Jam. This RedOne electro-pop classic was a huge hit in 2010 and contains a nod to Lionel Richie’s “All Night Long (All Night)” as part of a frenetic monster mash-up. Mixing languages for the first time on Euphoria, the Spanish and English blend of tracks on a single album was a sign of Enrique’s growing confidence that he could satisfy and develop both markets at the same time. And that tension we were talking about? There’s a choice turn of phrase on an alternative cut that seems more in-step, but make sure there’s no one of a sensitive disposition in earshot… With rapper Ludacris joining him on the video, the mix paid dividends with a return to the US Top 10 and strong sales worldwide.
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One of Enrique’s biggest hits of the 2010s, the tension between the song’s erotic charge and what radio programmers would be happy to play is palpable in this urgent dance track. 5: Tonight (I’m Lovin’ You) (featuring Ludacris & DJ Frank E)